2005 : 39 "Blood on Our Hands (Justice Remix)" by Death From Above 1979

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"Blood on our Hands" is an unfathomably sleazy track from Death From Above 1979's unfathomably sleazy album You're A Woman, I'm A Machine (2004). By "unfathomable," I mean something that's almost bordering on "incomprehensible": trying to parse the lyrics leaves you with fragmentary phrases ("But the things that I've done to you") that don't connect to anything else in the song, but which definitely sound disreputable. With this 2005 remix, the two French dudes in Justice have done something amazing: they have taken the original, scummed it up with the electronic squelch and big beats of European house music, and somehow made it even sleazier. Put this on when you want to feel adolescent and evil. —Jeremy Bushnell Listen: Death From Above 1979 >> "Blood On Our Hands (Justice Remix)"

2003 : 14-15 Aught Music Roundtable: A.R.E. Weapons by A.R.E. Weapons

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Roundtable Part One: "Bad News" "Don't Be Scared" In the story I heard, A.R.E. Weapons were signed to Rough Trade on the menacing energy of two early songs: "Black Mercedes" and "Street Gang." These songs are built around smoggy, murky electronics, and they feature vocals that mumble transgressive stuff about drugs and violence. Transgression sells, and it's easy to imagine the record company happily imagining that they were sitting on the next Suicide. "Black Mercedes" and "Street Gang" are buried way at the end of the resultant full-length, however, and every other song on the album is in a completely different vein: specifically, a cheesy fist-pumping inspirational vein. It's pretty easy to imagine most of these songs as the soundtrack for a training montage in a 1980s sports film: the track "Bad News," in fact, is an explicit homage to the Bad News Bears. The album never really loses its transgressive edge, though, so it almost ends up seeming like it's engaged in the project of prying the emotional pleasures of "positive" anthemic music away from jocks and giving it to the burnouts, druggies, and losers. Consequently, you end up with bonkers stuff like "Don't Be Scared," which contains verses like the following: People think you're a sleaze Cause you're down on your knees Suckin dick, every night Aw, that's alright People think you're retarded Maybe even cold-hearted Cause you only care about yourself You don't care bout no one else People think you're a spazz Just because you're a spazz So what? Spazz on, spazz People think you're wrong, kid Take it from me You're doin all right You're doin all right Er... OK... but... are you just pulling my leg here? Is this some kind of album-length experiment in irony? Anyone who's ever felt like a loser can surely enjoy the endorphin rush "Don't Be Scared" provides, but is it really all right to only care about yourself? I've been listening to this album steadily since 2003, and still can't quite puzzle out exactly what the band is up to. I intend this as nothing other than the highest praise. Roundtable Part Two: "Hey World" The kids still don't have a radio station that they can believe in I think this song tries to justify school shootings because kids are bored and do not have anything to do. There is something disturbing about this song and that is why I cannot turn away from it. I have to listen over and over again. My question is: why do kids need a radio station they can believe in when they have the internet? —Rich Thomas Listen: A.R.E. Weapons >> "Bad News" | "Don't Be Scared" | "Hey World"